After enjoying the discussion I had with Peter Schneider concerning his involvement with the limited editions of
The Regulators and
The Stand, I got to thinking about one of my favorites,
Firestarter.
I personally believe that with the attention to detail found in the Lettered
Regulators, it is one of the most beautiful signed limited editions out there. However, there is something about opening Firestarter and hearing the spine crack each time, combined with the smell of the paper and boards that is quite intoxicating.
By today’s standards, it is minimalist in design, and I think that is why it is one of the few King limited’s that is sought after by non-King collectors around the world. Two of my copies were located in Japan and not in locales you would expect. One copy was purchased from a monk in Kyoto, before he started his training. He was not a King collector, but he purchased rare Western books that had designs not commonly found in Japanese society. He was an artist and from what I can gather, that was his only Stephen King book. He bought it at auction in New York when he lived there in the 1980s and kept it ever since at his home.
The other copy was purchased in Osaka from the estate of a man that had ties to Japanese organized crime. The book was in his office, displayed between two samurai swords, in a glass cabinet. Photos from circa 1990s show it there, and was sold by his family upon his premature demise. Rumors, and that is all they ever will be, say that when he brought people to his office, he would tell them that if they ‘messed up’, they could choose punishment by fire or the sword. I will never know which ones were dealt out, and I will never try to find out.
My other copy belonged to the late Charlie Fried, and while I never had the pleasure of meeting him in person, our email correspondences, and stories from others, show him to be a true gentleman. I am proud to have a few small pieces from his vast collection in my library, and they are well looked after.
My final copy is something rather unusual. It was purchased in London, probably 15 years ago from a publisher, who also happened to be a big Stephen King fan. I am not sure if you would call it a prototype, or a publishers copy, but the leather label on the cover is not the standard red rectangle, but an orange die cut in the shape of flames. I rather like this design because it’s brighter and gives you an indication of what is inside. For unknown reasons, this design was not chosen in place of the red label. Correspondences between Alex and Stephen discuss the Lettered edition in great detail. Alex had designed a rather unique tray-case for this edition, but it would have pushed the issue price to $325, so it was decided that the 26 copies would be issued sans tray-case.
I hope you enjoy.
Gerald