Given that King doesn't have to say 'yes' to anything (there's lots of interest in adapting his works and he doesn't need the money) and that he seems to like when adaptations preserve the spirit of his works, why doesn't he try to get each project into the hands of producers/writers/directors who prioritize faithfulness (no Schwarzenegger as running man, no Jake-centric DT, no "gun fu" (that's a great way to describe that, though), and definitely no psycho-from-the-word-go Jack Torrance)? Why approve DT and UTD, then complain after the fact?