Originally Posted by
St. Troy
I agree that King and the DT film's producers owe readers nothing, but turning away from the existing story is analogous to stating outright that they're less interested in who got them to the prom (DT's existing audience) than they are in who else might be on the dance floor once they got there (the casual moviegoer).
Sorry in advance if this comes across as overly acerbic but this strikes me as an extremely uninformed view of the reality of film making today.
If we're all buying into the axiom which posits that changes from novel to screen are a necessity, then it is doubly so for
The Dark Tower as the sheer structure and approach of the story makes it 'unfilmable' as it currently stands.
There are aspects of the novels - like Roland getting raped by a demon Oracle, or Roland
slaughtering a town full of women and children - that simply cannot play out on a silver screen. Execs would laugh Ancel and Goldsman out of the building if they showed up with a script depicting the events word by word, as it were.
This is probably part of a larger conversation in which the crux of the argument would be "Do we really need adaptations of beloved franchises if they can't be translated
exactly as they exist in their original medium?"
I don't know the answer to that, but I do know that I'm excited as hell to see an interpretation of this story as envisioned by a fellow Dark Tower junkie (Ancel). I don't feel duped or shortchanged knowing that significant changes are abound.. the demands of cinema simply do not allow for a top to bottom interpretation of the novels, it is just too difficult.
So if Roland has black skin and Jake is wearing Jordans instead of Converse and Roland's guns are 10" instead of 12", I won't mind as long as the spirit of the story is intact.