Also, should have clarified - no, I wasn't referring to Europa Report, I'm sure I'll get to that at some point though.
I was referring to Lars Von Trier's WWII masterpiece Europa.
Also, should have clarified - no, I wasn't referring to Europa Report, I'm sure I'll get to that at some point though.
I was referring to Lars Von Trier's WWII masterpiece Europa.
Bad reviews are the fun ones to write, Michael lol
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Yes, but it's certainly not the field that Lou is involved in. I've seen that world, but I don't like working for the news. Also, here in CT it's certainly not like L.A. There's even a dig on Hartford in the film.
I like writing reviews for bad movies too, it's just that if I'm going to expend energy I'd rather expend it on something I want people to see. Like I said, I'm very picky about what movies I see and I normally only see something if I know I will like it. At least that's the case for movie I see in theater.
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Not a movie, but I'm currently halfway through the TV series Broadchurch. Really digging it! Very interested to see whodunnit. Please, no spoilers or even subtle discussion, or I will crawl through the internet and kill you.
And speaking of TV series murder mysteries, I just finished True Detective. Great atmosphere, and the acting was tremendous--especially Harrelson and McConaughey, and everyone else as well. My main quibble with the reveal and revelation:
Spoiler:
True Detective was amazing. Broadchurch was great as well, with one little gripe, which I won't mention until after you finish it. Gracepoint (American remake of Broadchurch) is pretty good as well, as it's pretty much shot for shot, just with prettier/shinier people.
Viewed Interstellar yesterday. No need to give background info on the movie. Epic in scope and reach, the film benefits from being viewed on the largest format possible.
Methodical, but never boring, the film captures the despair, the hope, the failure, and the "Et tu, Brute?" that mankind is capable of.
Some of the theoretical physics may go over a persons head, but they weren't too technical to enjoy. Several parts defy the attempt to be scientifically correct, but the movie works on every level.
The 3rd reel, ropes it all in and proceeds at an almost dizzying pace.
The film is best enjoyed if the viewer "thinks outside the box...-almost in another dimension"
5/6 on the RFSPRS. I'd give it 6 beers, but one would miss a lot of the movie going to the restroom if they drank 6 during the film.
Loved that books (real books, not digital versions) played a small but integral part in the movie. Watch for Stephen King's Doubleday "The Stand". Clearly focused upon.
Spoiler:
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Thanks for jinxing me, Feev. I've been on a run of bad films lately.
Not Cool - 3.0
Not Cool is one half of the cinematic experiment chronicled on the Starz TV Show The Chair where two directors take the same script and create two different films. Not Cool is directed by YouTube sensation Shane Dawson, who is known for his crude humor and his penchant for playing wildly stereotypical characters, many of whom require him to dress up as a woman.
Not Cool is a failure of a film on so many levels. It mixes moments of cringe-worthy humor with truly heartfelt moments. It’s a schizophrenic film that can’t make up its mind on the kind of film it wants to be. Sometimes it wants to be an off-the-wall comedy willing to go anywhere for the hope of a cheap laugh. Other times it wants to be a serious coming-of-age story.
This is clearly the fault of Dawson as a director who was scared of stepping outside of the comfort zone of his YouTube style of humor. It’s too bad because the quieter moments of the film prove that Shane could have created something special if he would have just allowed himself to stray from his normal style. Another major problem with the film is Dawson as an actor. He cast himself as the male lead, a role he is obviously miscast for.
If it wasn’t for the fact that I watched the whole season of The Chair, I would have steered clear of Not Cool. It has the look and production values of a student film, not the feature it was supposed to be.
It remains to be seen if Shane will have a future as a director. Unless he decides to shed himself of his YouTube persona, I’m afraid he will never become anything more than just that - a YouTube Star.
Hollidaysburg - 4.0
Hollidaysburg is the other half of The Chair experiment. It’s directed by aspiring filmmaker Anna Martemucci. Where Shane Dawson’s film failed on multiple levels, Anna’s film fails in a completely different way. Shane was trying to make an in-your-face comedy often striving for the shock value. Anna went the more subdued, Indie drama route. The result is a pretentious snoozefest packed with miserable characters.
The film tries so hard to fit in the Mumblecore genre, but fails at creating characters you actually care about. Many of the scenes drag on without a clear direction or any semblance of a story.
Contrary to Shane’s film, Hollidaysburg at least looks and feels like a real film. The cinematography is good and it features a nice soundtrack. As a whole, the acting quality is far superior to Not Cool.
All this can’t wipe away the fact that Hollidaysburg is just not a very good film and only slightly beats out Shane’s film in my mind. I’m actually ashamed to admit that Anna’s film is only marginally better than Not Cool. It should have blown it out of the water. It turns out, the only success that came from The Chair experiment is the fact that two different directors can take the same screenplay and make two entirely different films and completely fail on multiple levels for an array of different reasons.
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Whiplash: A triumph is a simple word to describe this film. The energy both emotional and kinetic just pulls you in. The varying tones in the cinematography really add to its depth. Miles Teller is tremendous as we watch his progression, from his meek and shy beginnings to some of the most derranged passion you'll see. J.K Simmons has to be a front runner for Supporting Actor. He's so domineering and immaculately as an instructed who instills his own derranged passion on his students. The editing, especially in the final sequence, is as good as youll ever see. If this film isn't nominated for editing it'll be a travesty. The ending is simply incendiary and perfect. There is so much to enjoy in this film. All I've been listening to since watch Whiplash yesterday is Jazz.
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Wanted
CD Carrie Portfolio 719
Dark Tower S/N LE's 171 or 203
ANY Stephen King S/N LE #171 or 719
A Storm of Swords #218 or 346
Ancillary Justice #455
American Gods (+ SC Reader copy) #624
Michael Whelan original art
DT VII: Michael Whelan Remarque
Viewed Horrible Bosses 2 yesterday. Simple review. Not funny. Horribly unfunny. Flop-sweat unfunny.1/6 beers on the RFSPRS.
Did you find the first one funny?
I think Jennifer Aniston killed it in the first one.
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The Hunger Games: Mockingjay - Part 1 - 7.0
Mockingjay marks a distinct change in tone for the Hunger Games franchise. In fact, the very name of the series no longer applies to the films.
Where the other two films focused on the actual Hunger Games, an insane institution pitting young adults against each other in a fight to the death, Mockingjay has abandoned this format for a more personal, politically driven story.
The change in focus is an inevitable course for the franchise. It just makes sense, but I can’t help but feel that Mockingjay felt quite jarring in comparison. The film is slower in pace and more claustrophobic. Gone are the wide open arenas and the fast-paced action scenes from the first two films. Instead, Mockingjay takes place either in a dark underground headquarters or blown-out cities.
Also gone is the imaginative special effects. What we get instead is round table discussions about war and how to sell it to the public. Katniss is a hero, but to the powers that be, she’s more of a propaganda piece. She’s essentially a puppet that gets propped up in front of a camera and forced to emote in hopes that she can inspire the population to stand up and revolt.
Katniss is understandably reluctant at first, but complies rather easily and never really questions or opposes it after.
If it wasn’t for Hollywood’s desire to split books into two films in order to maximize profits, I think Mockingjay Part 1 & 2 would probably flow pretty nicely. Then again, we won’t truly know until a year from now.
In the meantime, what we have is a film that feels unfinished. Mockingjay is easily the slowest Blockbuster action film you will ever see. Especially one geared towards a young audience. If it didn’t have The Hunger Games name attached to it, most young adults would steer clear.
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This is the first Hunger Games movie I'm not really excited to rush out and see. I love the books (though Mockingjay is definitely the weakest link) but I think I'm just losing interest in the adaptations. Maybe because it's been such a gap since I read the books.
A NEW GAME BEGINS
I've heard a lot of people enjoyed Mockingjay the most, which is why I assumed it's getting a two film deal.
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It was planned to split the final book into two films years ago. This is a disturbing trend in Hollywood right now. Twilight's last book was split into two films and the same for Harry Potter. Of course, there is The Hobbit which became 3 films. Kind of crazy.
Ricky, maybe you should just wait until next year. Rent part 1 and then see part 2 in theaters depending on how much you liked part 1.
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HELP ME FIND
Insomnia #459
ANY S/L #459