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OchrisO
05-30-2007, 11:15 PM
I was outside walking tonight because I didn't feel like being shut up in my apartment and I was watching the moon as I walked, and started writing this in my head. It is pretty rough, but I figured I'd post it anyway.


Isn't it funny how the moon seems to
Follow you down the street, ever watchful?
That's how I feel about you sometimes.
Lost love shines on me, inescapable.

I wander the streets at night trying to
Make some sense of this fucked up existence.
The moon always watches me like some god
Radiating all of my doubts and fears.

I pick up my pace and I slow back down
But you are always there to remind me
Of why it is that I am still walking
And that's ok, I like knowing you are there.

I just wish this heartache would wane sometimes
To give me a chance to hide all my tears
Before it waxes with me on the street
Because my room is all memories of you.

I look to the sky for answers and
All that I see is that bright, glaring, moon.
You are as unattainable as that moon
And, baby, let's face it: I'm no astronaut.

Jean
05-30-2007, 11:38 PM
thank you for posting it, OchrisO!

you already have one poetry thread started, so please choose how you would prefer them to be merged, and what name you would like to give to your poetry catalogue

OchrisO
05-30-2007, 11:42 PM
Meh. Doesn't matter how they are merged, or what it is called.. I didn't know we had to keep them all in one thread. I placed this one elsewhere because it is more standard poetry while the other one was slam poetry, which is quite different.

Jean
05-31-2007, 12:02 AM
I don't know if we have to have only one poetry thread each (the guidelines are being developed now), but I am inclined to think that it would be better if the readers could see all poems or short stories by one author in one thread; otherwise they are easily overlooked and finally lost, and it's a great pity.

I'll let it be for some time just to make sure nobody misses it, and then I'll merge, ok? And if you change your mind and decide you might want to have a title for your poetry collection, just say.

Jon
05-31-2007, 08:21 PM
Once again you made "heavy" "light" very well.

OchrisO
05-31-2007, 08:23 PM
Once again you made "heavy" "light" very well.

Could you elaborate on that? I'm not sure what you mean. It could just be that I am rather tired and I may get it tomorrow. haha.

Jon
05-31-2007, 08:27 PM
I mean you took a fairly "heavy" subject and kept the reading light. Not a lot of complex metaphors. At this risk of shameless self promotion, if you look at my poems, there are either as fluffy as air or heavily laced with emotions.

Does that answer your question/

OchrisO
05-31-2007, 08:27 PM
I mean you took a fairly "heavy" subject and kept the reading light. Not a lot of complex metaphors. At this risk of shameless self promotion, if you look at my poems, there are either as fluffy as air or heavily laced with emotions.

Does that answer your question/

Yeah, thanks. :)

Jon
05-31-2007, 08:28 PM
And I did mean "not a lot of complex metaphores" as a compliment. You have less risk of turning your reader off.

OchrisO
06-04-2007, 01:02 AM
Here is another one that I have been working on. I am notsure that this is the final product, but I'm going to post it anyway. I grew up in a small town that used to be a Company Coal Camp back in the first half of the 1900s. This is about life there, and moving away from it.

"Appalachian Ghosts"

My friends made life worth living in the hills
Unknowing sculptors, they made me who I am
With mixtapes and borrowed books they brought me
To a world of punk rock and liberal thought

One, by one, by one, they escaped the hills
They left to join the stream of shatter dreams
Until I was left alone and joined them
Motivated, I struck out to find life.

I, too, escaped, but ghosts still haunt my dreams
Appalachian ghosts, like a fog in my mind
And sometimes like a hammer to remind
Me of the things and people left behind.

A man working twelve-hour shifts while his
Little boy asks mommy where daddy is
He drinks away his pain and weariness
While his family wonders when he will be home.

A woman cries herself to sleep because
She can’t afford to buy her little boy
All the things that she thinks that he deserves
And she thinks that this makes her a failure.

A man comes home and hits his wife because
He has to let the rage at his life out
And she is there, as an easy scapegoat
He strikes the wife he loves and hates himself

Miners with blackened skin and dull dead eyes
Plod their way to work each day where death waits
Appalachian ghosts, dead before their time
Appalachian ghosts with dull, lifeless eyes.

Hannah
06-04-2007, 08:23 AM
These were both really, really good. I love the ending line of the first poem. It made me smile. I have to agree with Jon, I like how your poetry is taking a heavy subject and making it "light" in the sense that you're more direct than you are indirect. Does that make any sense? :lol:

The second poem made me sad, and speculative. The part about the family, the mother, father, and son, was heartbreaking. My father was an alcoholic, so I could relate to that part of the poem fairly well.

OchrisO
06-04-2007, 04:04 PM
These were both really, really good. I love the ending line of the first poem. It made me smile. I have to agree with Jon, I like how your poetry is taking a heavy subject and making it "light" in the sense that you're more direct than you are indirect. Does that make any sense? :lol:

The second poem made me sad, and speculative. The part about the family, the mother, father, and son, was heartbreaking. My father was an alcoholic, so I could relate to that part of the poem fairly well.

Thanks for the comments. That does make sense. I tend to not be very metaphor heavy, and I tend to use more similes when it comes to that sort of stuff. I think that I should probably try to stop writing poetry about a girl. haha.

In Appalachian Ghosts I was trying to capture the seeming futility of life in an economically broken town, and how it stays with you even when you manage to get away. I'm not sure how well I have managed that here. I am not sure that that is the final version of it. There's some stuff I'd like to add to it, but I am not sure how to say it yet. I wanted to post it anyway and see what people thought of it so far.

The_Nameless
06-06-2007, 01:36 PM
Very nice work, Chris.

I especially enjoyed Appalachian Ghosts. I loved the feeling of the poem, even if it was a bit depressing. I tend to enjoy poems that are written from emotional states like that.

OchrisO
06-06-2007, 09:46 PM
Thanks. Appalachian Ghosts is pretty much my only poem that isn't a lovesick poem about a girl. I still keep with the sad depressing theme, though. haha.

I told a friend of mine that I think Misery is my Muse, because that is the only time I really write. I should try writing about sunshine or puppies sometime. :)

OchrisO
06-08-2007, 12:39 AM
I decided to take a page from Fruno's book and record some of my stuff with explanations. The poems here are read, as well as the slam poetry piece and the sonnet from the 3 word poetry circle. I stumble around a bit in some parts. I'm not used to recording myself or reading my stuff. Also, I have a bit of a country accent, so please disregard. :P

Also, I read some stuff a bit too quickly, but I suppose it isn't too horrible for a first try.

My Poetry (http://files.filefront.com/OchrisOpoetry1mp3/;7723860;;/fileinfo.html)

Frunobulax
06-08-2007, 08:36 AM
I'm a trend setter, what can I say?
And your country accent can't be worse than my odd voice.

Frunobulax
06-08-2007, 08:42 AM
I like your readings--it definitely adds some subtext to things and gives a different view on the overall cadence of everything.

Jon
06-12-2007, 10:34 PM
I decided to take a page from Fruno's book and record some of my stuff with explanations. The poems here are read, as well as the slam poetry piece and the sonnet from the 3 word poetry circle. I stumble around a bit in some parts. I'm not used to recording myself or reading my stuff. Also, I have a bit of a country accent, so please disregard. :P

Also, I read some stuff a bit too quickly, but I suppose it isn't too horrible for a first try.

My Poetry (http://files.filefront.com/OchrisOpoetry1mp3/;7723860;;/fileinfo.html)


Soo OchrisO has country accent eh? Do ya'll reckon we otta keel him fer being different? LOL

Frunobulax
06-12-2007, 10:50 PM
Heh.
Naw. Let's not keel him.

Jon
06-12-2007, 11:08 PM
Just..injure him???


He's different!!!!!! LOL

OchrisO
06-12-2007, 11:09 PM
I seem to be all poetried out for now . I haven't written anything since appalachian ghosts. :(

Jon
06-12-2007, 11:10 PM
Ghosts??!!...I'm 'fraid of Ghosts!!

OchrisO
06-18-2007, 04:28 PM
Something new. I wrote it while thinking about how I often have great ideas in my head that never manage to reach the page.


In my mind metaphor and allusion
Dance like euphoric lovers trailing bliss
In the dark and dreary world of my mind
Their light kiss creates explosive fireworks.

But the paper remains an empty slate
Barren and lifeless like a desert night
Cold and quiet like a jilted lover
I can coax nothing but scorn from the page.

In my mind simile and imagery
Run through a field like children holding hands
Spreading joy and love everywhere they go
Dodging any attempt to capture them

When I stare at the page I see only
Sorrow, regret and my many mistakes
Taunting and jeering, they keep me silent
Like the children on a playground, so cruel.

In my mind beauty and bliss are as one
On the page attempts echo back nothing
For in my mind I am truly alive
But I am nothing outside of its walls.

OchrisO
06-23-2007, 07:24 PM
I guess that one didn't go over too well. haha.


It is actually probably the one of mine that I like best.

OchrisO
07-07-2007, 12:45 PM
Hrm, was this one really that bad, or has anyone ever read it?

The lack of any comments on it has kind of discouraged me.

Brice
07-07-2007, 01:35 PM
Hrm, was this one really taht bad,

Nah, I don't think it was bad at all Chris.


or has anyone ever read it?

Yup, I read every single post.


The lack of any comments on it has kind of discouraged me.

Don't be discouraged man. I liked it. The only reason I usually don't respond to these is about all I can tell anyone is whether I liked their writing or not. I can't really critique it. That's something I've never been good at, but I did enjoy reading it. :)

Jon
07-07-2007, 09:26 PM
I like it.

More plese

parsnip
08-03-2007, 11:39 AM
You shouldn't be discouraged. I am trying to make my way through every one of these threads in turn and that is going to result in a lag from me in probably just about every thread. Because I want to give meaningful feedback. Which, for me, takes a little time and a thoughtful state of mind. My time here on the forum is also balanced between what I have to do irl. And I'd wager a guess that most everyone else is in the same or a similiar position. Or off writing their own stuff at the moment. *shrugs*

I like the use of so many metaphors and similes in this one. Especially given the theme. How the lack of ability to set things to page becomes its own life. How you state what is happening and then it moves into a more poetic language. And also how the poem is also about its nonexistence. Nice turn from the inside out at the end, too. :)

OchrisO
08-03-2007, 11:57 PM
Thanks. I pourposefully tried to place a lot of metaphors and similies in this one because most of my stuff is pretty light in that regard. I am actually pretty happy with that poem and that is pretty rare for me. I do think the last stanza could use some work, though.

parsnip
08-05-2007, 06:19 PM
What do you want to change about the last stanza? Or what don't you like about it?

OchrisO
08-05-2007, 06:55 PM
I don't think the last two lines flow very well.

parsnip
08-05-2007, 06:59 PM
hmmmm... the only suggestions I can think of is to maybe try it by cutting out the word "For" and then cutting out the "of" in outside of its walls. My hope would be that those two words may change the flow enough for you to see more of what you are wanting or where you want the flow to go.

I think that those two lines jar for a reason. A good pause to pay attention. It's a shift that meets the theme. But I also don't think they jar as much as you are thinking. But I'd still say just tinker if it bugs you. I still stick by my liking this one, though. :)

OchrisO
04-17-2008, 07:50 PM
Tonight on campus they were having a poetry marathon and taking donations of books and money to benefit literacy programs in eastern Kentucky. People could read poetry by other authors or their own stuff. It started at noon today and goes until noon tomorrow, non-stop. I read some of my stuff, all of which has been posted on here in various places, but I am going to add it all again to this post, just as a reference to what I read. On the first reading, I read these:




Title: "Appalachian Ghosts"
By: Chris Thornsberry

My friends made life worth living in the hills
Unknowing sculptors, they made me who I am
With mixtapes and borrowed books they brought me
To a world of punk rock and liberal thought

One, by one, by one, they escaped the hills
They left to join the stream of shatter dreams
Until I was left alone and joined them
Motivated, I struck out to find life.

I, too, escaped, but ghosts still haunt my dreams
Appalachian ghosts, like a fog in my mind
And sometimes like a hammer to remind
Me of the things and people left behind.

A man working twelve-hour shifts while his
Little boy asks mommy where daddy is
He drinks away his pain and weariness
While his family wonders when he will be home.

A woman cries herself to sleep because
She can’t afford to buy her little boy
All the things that she thinks that he deserves
And she thinks that this makes her a failure.

A man comes home and hits his wife because
He has to let the rage at his life out
And she is there, as an easy scapegoat
He strikes the wife he loves and hates himself

Miners with blackened skin and dull dead eyes
Plod their way to work each day where death waits
Appalachian ghosts, dead before their time
Appalachian ghosts with dull, lifeless eyes.
-------------------------------

Title: "Napalm in the Morning"
By: Chris Thornsberry


I love the smell of napalm in the morning!
Americans hear that line and we laugh
We laugh because we do not know the smell
Have never had an Apocalypse Now.

We have never smelled our loved ones burning
Have never seen it outside of our door
We laugh because war is not real to us
Were it, how could we ever send our young?

Napalm has never smelled like victory
It smells like corporate greed and old money
It smells like death and suffering for naught
It smells like demolished hope and dead dreams

Sitting in comfortable America
Will we ever really understand war?
I don’t really think that we ever can
Until we smell napalm outside our doors.
----------------------------------
Title: "In My Mind"
By: Chris Thornsberry

In my mind metaphor and allusion
Dance like euphoric lovers trailing bliss
In the dark and dreary world of my mind
Their light kiss creates explosive fireworks.

But the paper remains an empty slate
Barren and lifeless like a desert night
Cold and quiet like a jilted lover
I can coax nothing but scorn from the page.

In my mind simile and imagery
Run through a field like children holding hands
Spreading joy and love everywhere they go
Dodging any attempt to capture them

When I stare at the page I see only
Sorrow, regret and my many mistakes
Taunting and jeering, they keep me silent
Like the children on a playground, so cruel.

In my mind beauty and bliss are as one
On the page attempts echo back nothing
For in my mind I am truly alive
But I am nothing outside of its walls.
---------------------------


Then I read Helas by Oscar Wilde, then later in the night I read some more of my stuff:



Sixteen years of school…. Well…..
sixteen years on and off….
and I have learned nothing worth knowing.

I never learned to walk away from someone I didn’t love anymore.
I never learned how to realize when a relationship is bad for me.
I never learned how to forget someone who no longer loved me.

Sixteen years of school…..and I have learned nothing worth knowing.

I never learned to tell my father how he hurt me.
I never learned to tell him how he made me afraid of relationships for a long time,’
I never learned how to tell him that I love him anyway….and I still can’t.

Sixteen years of school…..and I have learned nothing worth knowing.

I never learned to treat my time with my mother as if I might lose her the very next day…..and then I did.
I never learned how to say goodbye.
I never learned how to cope with an empty house.

Sixteen years of school, and I never learned a goddamned thing.
------------------------------------------

Isn't it funny how the moon seems to
Follow you down the street, ever watchful?
That's how I feel about you sometimes.
Lost love shines on me, inescapable.

I wander the streets at night trying to
Make some sense of this fucked up existence.
The moon always watches me like some god
Radiating all of my doubts and fears.

I pick up my pace and I slow back down
But you are always there to remind me
Of why it is that I am still walking
And that's ok, I like knowing you are there.

I just wish this heartache would wane sometimes
To give me a chance to hide all my tears
Before it waxes with me on the street
Because my room is all memories of you.

I look to the sky for answers and
All that I see is that bright, glaring, moon.
You are as unattainable as that moon
And, baby, let's face it: I'm no astronaut.
----------------------------

Blue eyes piercing my heart and soul with ease;
You know me and play me like a fiddle;
I will be there, so you do what you please,
While I wait here and my thumbs do twiddle.
Wings of ambition carry you away,
Across the hills and further from my heart;
What you look for I could never quite say;
If only I could have a fresh new start
My heart has no blood to bleed anymore;
Now it bleeds only sorrow for such loss;
Bind the wound and set me free, I implore,
From this crucifixion on love's bleak cross.
Perhaps I could be happy once more here,
If I could hold you just once more, my dear.
----------------------------------------

Rhetoric and some stuff, blah blah blah blah.
I hear nothing because your beautiful
Eyes consume me like deafening holy fire
I really wish I could listen, I do.

I spasm and convulse under your harsh
Scrutiny and desire for something
That will make you forget the past and live
For the future, with you and me as one


Reaching for love like trees towards the sunlight
I grasp at whatever will sustain me
In the end, I am not sure what will be
Or if the tree of you and I will live



All of it seemed to go over pretty well, and I was, suprisingly, not nervous. That was probably because 4 of my friends were there, and a couple of professors that I know. I had a really good time.

Letti
04-17-2008, 10:00 PM
Weren't you stressed to read your own poem in front of people?

Anyway your poems have real messages and that's something really good and valuable.

OchrisO
04-17-2008, 10:05 PM
I really thought that I would be nervous, and had to sit and think about it for a while before I decided to read, but once I got up there, I wasn't nervous at all. The crowd wasn't really all that big, though there were a lot of people walking by, because it was outside on campus. Just sitting around and actually watching was probably only 15 or 20 people at the most.

Letti
04-17-2008, 10:17 PM
Sometimes I think it's easier to read out in front of a really big crowd. Because crowd has no faces but if you are in a smaller room and you can see the eyes and the expressions of the people it can be... horribly stressful.
Was it the frst time you read out your works this way?

OchrisO
04-17-2008, 10:18 PM
Yep, it was. There was a Poetry Slam on campus last semester and I thought about reading at it, but chickened out because there were some amazing poets there, and I didn't think my stuff was good enough to read.

Letti
04-17-2008, 10:21 PM
Ehhh, it's natural that you feel others are better. It would be bad if you thought "Oh great, I am the best". They might have thought the same while you were reading. You cannot know.

Jean
04-17-2008, 10:24 PM
Sometimes I think it's easier to read out in front of a really big crowd. Because crowd has no faces but if you are in a smaller room and you can see the eyes and the expressions of the people it can be... horribly stressful.
that is very, very true

Letti
04-17-2008, 10:25 PM
I was outside walking tonight because I didn't feel like being shut up in my apartment and I was watching the moon as I walked, and started writing this in my head. It is pretty rough, but I figured I'd post it anyway.


Isn't it funny how the moon seems to
Follow you down the street, ever watchful?
That's how I feel about you sometimes.
Lost love shines on me, inescapable.

I wander the streets at night trying to
Make some sense of this fucked up existence.
The moon always watches me like some god
Radiating all of my doubts and fears.

I pick up my pace and I slow back down
But you are always there to remind me
Of why it is that I am still walking
And that's ok, I like knowing you are there.

I just wish this heartache would wane sometimes
To give me a chance to hide all my tears
Before it waxes with me on the street
Because my room is all memories of you.

I look to the sky for answers and
All that I see is that bright, glaring, moon.
You are as unattainable as that moon
And, baby, let's face it: I'm no astronaut.

I love this poem so much. I felt so many times absolutely the same way but I am sure most of us have. And you could put it into words.
Thank you for it.

OchrisO
04-17-2008, 10:27 PM
Thanks, the last line of that one went over well with the audience when I read it. I was happy.

Letti
04-17-2008, 10:29 PM
Congratuilations, OchrisO. To read our your poems in front of people is a big thing. And if you could feel they understood you they could feel you... that's a victory.

obscurejude
04-17-2008, 10:40 PM
Chris, I think the moon is strong image, and though cliche, you were able to come off genuine- and that is big in my book. I'm a little thrown off by some of the pronouns. The first stanza suggest that you are speaking to a silent auditor, and you return in the last line in conversational style, but the middle stanzas seem incongruent in the sense that it is so introspective (I..,I..,I...,) that the reader forgets that you are talking to someone else. This may be due to the fact that you wrote it in your head while you were walking. I also had trouble figuring out if you were talking to the person (silent auditor) or the moon at times, or was that ambiguity intentional? The themes are strong and universal, but perhaps the execution of them could be a little more deliberate. That being said, I enjoyed it, and I'm glad you shared it. I mean the criticism as constructive and not derogatory, and mostly because you asked for comments and I wanted to be helpful. Thanks Chris. Keep at it.

OchrisO
04-17-2008, 10:47 PM
The ambiguity is intentional. It is meant to be written like a dramatic monologue, where I could either be talking to the moon or the girl, which are similar in how they haunt me, and blend together, and you only hear my side of the conversation as I try to explain myself to them.

OchrisO
04-17-2008, 10:49 PM
Oh, and Thanks, I enjoy any sort of criticism and discussion about my poetry.

obscurejude
04-17-2008, 10:54 PM
Usually dramatic monologues (maybe always) avoid the first person pronoun "I". That's what was throwing me off, the introspection more than anything. Dramatic monologues reveal information about the speaker through their dialogue with other characters, I'm thinking of My Last Duchess, Fra Lippo Lippi, etc... Its just confusing, but maybe that's what you're going for. I like the ambiguity, but I think it might work a little better if it was more subtle and not blatant through the contrasting pronouns ("you" to begin with and then "I" throughout). Is this making any sense? I'm trying to be helpful.

obscurejude
04-17-2008, 10:55 PM
Oh, and Thanks, I enjoy any sort of criticism and discussion about my poetry.

You're welcome. I enjoy it too. I like your stuff. I don't want you to think I'm arguing with you. Letting others workshop your stuff is a great way to grow as a writer.

OchrisO
04-17-2008, 11:09 PM
My last Duchess uses I 6 or so times in it, and Fra Lippo Lippi is self referential all throughout it. Andrea del Sarto is as well, when he is talking about himself to his wife in Browning's work, which was what I was trying to do here. It is supposed to be like I am talking to the moon and the girl who left me about how I feel, as I am walking down the street at night, which was what I always used to do when thinking about her became to much, and I couldn't say any of it to her because she wouldn't listen anyway. The narrator walking down the street looking up in the sky and addressing the moon who is a symbol for the girl who left him that he can't talk to about it was what I was trying to bring across.

Letti
04-18-2008, 12:38 AM
When did you start to write?

OchrisO
04-18-2008, 12:40 AM
Poetry-wise, a little over a year ago.

Letti
04-18-2008, 12:45 AM
Oh nice. I was sure you have been writing poems for long years.

alinda
04-18-2008, 04:29 AM
M-O-O-N, I am going to write a poem about the moon.
Yours is wonderful by the way....I love the baby I'm no
astronaut line, I think its expired !!

obscurejude
04-18-2008, 09:56 AM
My last Duchess uses I 6 or so times in it, and Fra Lippo Lippi is self referential all throughout it. Andrea del Sarto is as well, when he is talking about himself to his wife in Browning's work, which was what I was trying to do here. It is supposed to be like I am talking to the moon and the girl who left me about how I feel, as I am walking down the street at night, which was what I always used to do when thinking about her became to much, and I couldn't say any of it to her because she wouldn't listen anyway. The narrator walking down the street looking up in the sky and addressing the moon who is a symbol for the girl who left him that he can't talk to about it was what I was trying to bring across.

What I was trying to say is that these poems use "I" as spoken between themselves and another person. It was the contrast of your first stanza with the introspection of the following ones that I was talking about.

Chris, I think you brought all of that across, I'm just saying that it might be a little confusing to your reader, that's all. You have great images here, but sometimes the efficacy of a good image can be lost if its isn't executed simplistically. I'm very familiar with My Last Duchess and Fra Lippo Lippi, but its been a awhile since I read Andrea Del Sarto, so I'm not going to say anything in regards to that. Childe Roland is introspective and a Dramatic Monologue, but I think one of the reasons that the introspection works is because Roland doesn't really deal with many other characters within the poem (basically only the Hoary Cripple of the first stanza). The rest of the poem is Roland coming to grips with the nighmarish landscape that he is surrounded by, and this is consistent. Its the inconsistency of "you" and then "I" that was throwing me off in your poem. Its just my opinion Chris, and I'm trying to be delicate about phrasing it.

LadyHitchhiker
04-18-2008, 11:26 AM
All I can think of when I see this thread title is M-o-o-n that spells Tom Cullen...